lunes 16 de noviembre de 2009

Blam!

jueves 24 de septiembre de 2009

mY blA-shoes. picture by Edu COmellAS


lunes 31 de agosto de 2009

THE BLA-BEL TOWER

FESTIVAL DOMADORES DE FUEGO, mUEL. zARAGOZA.
JULY 2009
BINDU MEETS BLA / BLA MEETS BINDU
LA TORRE DE BLA-BEL
BY WALI HAWES + EVE ARIZA
http://domadoresdefuego.blogspot.com/



a BLA at "ses illetes"

Bla-mentera tour. with the col.laboration of Xo.Xo



sábado 20 de junio de 2009

(blaires) o petaBLAS VOLADORS ceramica I LEVITACIÓ














(blaires) o petablas voladors, o PETAGLOBUS
... o de la levitació de la terra

Pasta de baixa, colors sota coberta, i imàns neodimi
1020º

domingo 8 de marzo de 2009

et pour toi c´est quoi l´art?

> L´art du BLA! eVe A.



















http://www.lesabattoirs.org/evenements/2009/03/etpourtoi.htm



jueves 5 de marzo de 2009

gracies profes d´ARSENAL, gracies EDU!

I un agraïment a l´equip docent de l´escola municipal d´ART Arsenal, ubicada a Vilafranca del Penedés per la seva especial paciencia amb mi i per tot l´amor i dedicació que posen en el seu treball!
http://www.arsenal.cat





I gracies EDU, sempre... per les teves super fotitos ;-)

viernes 27 de febrero de 2009

parasit de bla bY eVe A i tapis By PIA

















disseny PARASIT DE BLA bY eVe A i REALITZACIÓ tapis amb la tècnica del nus "tabriz de alfombra iraní" By PIA ARMENGOL

domingo 8 de febrero de 2009

VA DE BLAS... i es un video

PASSIVCITY
paradiseconsumer group: pep, helena and eve

col.laboració de judith corominas q caminaaaaaaaaaaa

+Alex TENA, Mira audiovisual.
http://www.miraaudiovisual.com/

BETWEEN SPACES PROJECT, with the col.laboration of NUA new contemporary arts and research. Republic of San Marino and Ministeri de Cultura, Andorra

PROXIMAMENT AL TEUTUB...
SOON IN YOUR TUBE...





EL CARRER DELS PETS, BY eVe A.R.I.Z.A. +col.laboració tècnica wali HAWES - ENFANGA'T 2009















projecte EL CARRER DELS PETS, BY eVe A. amb la col.laboració tècnica de Wali HAWES (ENGLAND.INDIA.JAPAN.CATALUNYA)

















Fira Internacional de Ceràmica Contemporània
Jornades Professionals de Ceràmica
“ENFANGA'T 2009” a Celrà (Girona) 8, 9 i 10 d'abril del 2009.

http://www.enfangat.net/























!!PEPITO-PROTOTIPO!!
1er forn / 1st kiln
february 2009
GRACIES ROSER PER DEIXAR-NOS LA TEVA CASA...



















rumors

els AFABLAS, o AFAMATS DE BLAS.
by Eve A.
pasta europa i engalves. 1020º
exposició "PETITS FORMATS, GRANS OBRES" a la galeria Pilar Riberaygua. Andorra
desembre 2008

sábado 2 de agosto de 2008

EVE ARIZA CERAMICS

SILENCI O PEÇA ETNOLOGICA (...) 2008
gres engalves vitrificades 1150º
2on premi escultura 2008 Cercle de les Arts i de les Lletres, Andorra.

Alçada: 57 cm
Fondaria: 36 cm
Amplada: 51 cm

























PETABLAS 2007
gres engalves vitrificades 1150º
instal.lació - 60 moduls






















bULb de BLa- 2008
gres i esmalts alta temperatura
60 cm alçada




















PETABLA- 2007
GRES i oxids alta temperatura
65 cm alçada























PLAFÓ CERÀMIC: petabla volador
refractari, CENDRES VEGETALS i OR 2007
40 cm x 40 cm x 8 cm

miércoles 30 de enero de 2008

BLAH + BLISCUITS

BLAH. video
BBKL LABOR LIECHTENSTEIN- 2008
by eVe ARIZA
with the help of Tanja FRANK (Luxembourg)
music by Sandro NARDI (Liechtenstein) and Roger SZEDALIK (Liechtenstein)












the BLAH background animation










BLISCUITS (blatenstein). ribelmais biscuits



http://blatenstein.blogspot.com/

domingo 6 de enero de 2008

a stopped BLA


I have a stopped BLA in my mouth

the stopped BLA


This is my cure...

BLASPLASH! 2007
















ELS MEUS SILENCIOSOS- 2007
chewing gum. Marcs or
BBKL. labor Liechtenstein

www.blibland.com



what is blibland?

blibland deals with the (im-)/possibilities of dialogue that exist between human being.
BLIBLAND contrives in the BETWEEN SPACES.

blibland is build from your words, that´s why I ask you to publish your comentaries about the draws and the pictures you can see in my blog: www.blibland.com

Your words, are part of the project, so don´t bite your tongue!

(im-)/possibilities of Dialogue

here, some of my draws:







(im-)/possibilities of Dialogue

Mr Bla, golden 2007
terracota, or
40 cm x 26 c x 26 cm

















els HIPOCRITES
- 2006
terra i or
40 cm x 26 c x 26 cm c/1


















Mr BLA - 2006
enameled ceramic
40 cm x 26 c x 26 cm



Blafarada, 2007
gres i esmalts alta Tº


















I punts de creuuuuu malaltissos: serie im///possibilities of dialogue






2006
Cross stitch/ punt de creu























2008
Cross stitch/ punt de creu

(((((((((BLA-WINGS))))))))))

BLIBLAND- between spaces project- andorra la vella

BLIBLAND - between spaces project- andorra la vella

BLIBLAND - between spaces project- andorra la vella

BLIBLAND - between spaces project- andorra la vella



papintat
01/05/2007
diari d´andorra






GOING BEYOND THE COUNTRIES ART
small States on un-certain stereotypes
VIDEO SENSITIVE POSTCARDS














PARADISE CONSUMER
VIDEO
Title: The paradise consumer
http://www.e-flux.com/shows/view/2395
http://www.officinabit.it/

artists: Pep Aguareles, Eve Ariza, Helena Guardia, Susana Herrador
(Paradise consumer group)
from: Pricipat d’Andorra
This video intend to push to the limit the stereotyped image that people have of Andorra: a country prominent by its special offers, that attracts impulsive consumers.
This project claim to push to the limit the attitude of this kind of compulsive purchasers, using real and artificial situations.
The project takes place in a typical Andorran supermarket. realized in occasion of:
GOING BEYOND THE COUNTRIES ART
SMALL STATES UNDER UN-CERTAIN STEREOTYPES
Andorra Cipro Liechtenstein Luxembourg Malta Monaco San Marino
VIDEO SENSITIVE POSTCARD

11th, 12th, 13th November, 2005, Ancient Monastery of Saint Clare, San Marino
WORKSHOP BETWEEN ARTISTS AND CONTEMPORARY ART CENTERS

After Rita Canarezza’s and Pier Paolo Coro visit, we started to work as a group in June 2005. We decided to work together because of this project and we created the group even if some of us never meet before. The conception and realisation of our video started in June and ended in the middle of November, when we presented it for the first time at the San Marino’s encounter. We began our project analysing the different stereotypes that exist about Andorra, but we finally decided to work in one of them: the idea of Andorra as a “supermarket-country”. Andorra as a “cheapest country” makes our distinction outside our boarders and till now the legend is still alive. With our video called “The paradise consumer”, we claim to push to the limit the stereotyped idea that turns around Andorra, working and exaggerating the compulsive attitude of this kind of consumers, who only visit us just for shopping. This project takes place in a typical Andorran supermarket called Andorra 2000, one of those that still receive the visit of organazed busses plenty of buyers. After exposing our project to its manager, the supermarket accepted a full collaboration with us. The project consists in starting some actions of direct consume with our figurants and waiting for the reaction of the anonymous purchasers who where naturally making their shopping Those actions had been filmed during the week-end of 16th and 17th November. Our intention was to show with humour what represents Andorra for people that visit us from other countries.

http://www.de-einder.com/ HORIZON PROJECT

De Einder is concerned with the experience of open space and seclusion, of finiteness and infinitude in space and time.

The project, De Einder is to take place in the summer of 2004 and the summer of 2005 on two very different locations.
Twelve artists will be working in the neighbourhood of Montsegúr in the French Pyrenees and a year later the same artists will be working in the Biesbosch near Dordrecht in the Netherlands. Not only will the differences in the project locations play an important role but also the social surroundings of the participating artists will be crucial. Whereas the horizon in the North is a fixed point of orientation a view of the horizon is a rarity in the mountains of the South. This will presumably affect the work done in both locations. These differences and variations will be the starting point of this project.

Locations:
Fougax and Barrineuf (near Montsegúr, France.)
The Dordtse Biesbosch ( near Dordrecht, the Netherlands.)

In the first working period (17-31 July 2004 ) the artists will stay in the art centre Cat' Art in St. Columbe sur l'Hers. They will be able to lodge in various apartments and use a big communal studio in the grounds. The project will come to fruition in the neighbourhood of Fougax, a village 20 km from the art centre. While the project is in progress the work of the participating artists will be on show in the gallery of the Art Centre Cat' Art.

During the second period of work the artists will be living in the Internationaal Gastatelier Toos Neger and in private homes. The project will be completed in the polderland and reed banks to the Southwest of the Kop van het Land, roughly 10 km from the centre of Dordrecht. The Noordkaap Foundation will allow the Watertoren to be used to house an exhibition and as a communal studio.


Should you wish to be kept informed of further developments you can be put on the mailing list by sending a letter to subscribe@de-einder.com

DE-EINDER - HORIZON PROJECT - PART 1 cut along the dotted line

Fougax and Barrineuf (near Montsegúr, France.)



The dotted line that brings back the idea of cutting is present in both projects. This cutting line separates finite and infinite, material and immaterial, here and there, natural and artificial…
In the first area, on Gorges de la Frau path, near Montségur (France), I have drawn the cutting line on the mountain’s rock to create an artificial and symbolic opening in a natural area.
In the second area, in Stoop Bank, near Dordrecht (Netherlands), I have used the idea of cutting but on human beings to extract horizons dictated by thought and feeling.




« CUT ALONG THE DOTTED LINE » DE-EINDER – JULY 2004
GORGES DE LA FRAU, MONTSÉGUR. FRANCE.
HORIZON 0: Gorges de la Frau. I’m looking for the horizon. I can’t see it. This space is very enclosed. My reaction: to cut out a piece of mountain to reach it.
HORIZON: It’s not only a line in the landscape. It also represents illusions, dreams, ambitions… the perspectives of life.
TO CUT OUT: I decide to create an image that reflects this idea and that gives the mental possibility to open a panoramic window to imagine which horizon is hidden behind. From this pursuit results a series of drawings called “Pre-cut horizons”.
POSTCARD: The picture shows a piece of mountain rock, vertical and vertiginous, taken on the path of Gorges de la Frau. I complete that landscape adding a dotted rectangle and little scissors, which encourage to cut out a piece of mountain.
ACTION – 30 July 2004 –
The action takes place at the beginning of Gorges de la Frau path, next to Fougax and Barrineuf, where quite a lot of people walk and cross the area.
I give them a postcard that becomes more than a souvenir of their walk, it is an invitation to open their own window, their own horizon.

cut along the dotted line - the postcard

DRAWS / CUT ALONG THE DOTTED LINE

DRAWS / CUT ALONG THE DOTTED LINE

DRAWS / CUT ALONG THE DOTTED LINE

DE-EINDER - Projecte HORITZÓ - PART 2 the cutting out kit / cutting out horizons at the stoopbank


The STOOP BANK - The Dordtse Biesbosch ( near Dordrecht, the Netherlands.)



The cutting out horizons KIT


CUTOUTS - THINKING AND FEELING THE HORIZON - DE-EINDER – JULY 2005
THE STOOP BANK – BIESBOSCH, DORDRECHT. NETHERLANDS.
CUTTING OUT HORIZONS KIT: little trailer, photographic camera, tripod, 2 chairs, stand, colour felt pens, book to collect horizons, 2 framed pictures 30 x 42 cm, 2 photograph albums 10 x 15 cm, umbrella.
CUTTING OUT HORIZONS AT THE STOOP BANK: In the action/setting-up “Cutouts” which happens from July 16th to July 31st, I cut the horizons of visitors that walk past the Stoop Bank. I propose to the spectator to contemplate the horizon to express directly afterwards what it suggests to him from his/her senses or emotion. The reaction of the spectator results in words or drawings collected in a book called “The cutouts book”, opened on a stand and the only sign on the pages is a dotted line at the same height than the horizon line. The proposal is completed with photographs of persons that result in the series “The cutted-out”.
THE CUTOUTS BOOK is a compendium of horizons where participants write their way of thinking or feeling the horizon, while playing with the discontinuous line of the horizon that cuts horizontally all the pages of the book in two halves. Here are the indications that we find on the first pages:
Write or draw your way of thinking the horizon with your BRAIN.
Write or draw your way of feeling the horizon with your HEART.

Of these compendium results a video untitled “The cutouts book” where the same discontinuous line simultaneously cuts the different horizons of various persons.
THE CUTTED-OUT is a series of photographs of anonymous contributors, photographed at the same place with the same background landscape and all of them looking at a common horizon. Each portrait is subsequently retouched giving them a rather artificial touch, without loosing completely the identity of the faces, and I add a schematic heart and brain connected to each other on the real ones. The discontinuous line appears at the same place on all the pictures cutting the landscape’s horizon line as well as the figures’ thoughts and feelings.
From this series of photographs also follows a video called “The cutted-out” figuring all the cutout persons. The same discontinuous line cuts at the same time the background landscape’s horizon line as well as all the persons.

Postcards with images from “The cutouts book” and “The cutted-out” are circulating.

draws from the cutouts book





pictures from the cutted out






DE EINDER- HORIZON PROJECT (installation view of the global project)


2006
PROJECTE HORITZÓ
Sala d´exposicions de Govern, Andorra



JUST CHEW AND THROW

A METER OF CHEWING GUM

et si le rire était dans la nature des choses


2002
Art et Nature
Intervention "bosc", Ste Colombe sur l´Hers, France

"SALES" Art en dépôt, bagages posés


2002
Installation view
Château de Nedde, Vassivière en Limousin. France

PORTIONS



2001
Installation view

BAZAR



2002
Installation view

BRANDS AND LABELS - CERTIFICATE OF ORIGIN


Embroidered skins

In this series, the reflection revolves around social scarifications that are those of a collective thought focused on what is superficial and apparent.

"LA VIE EN ROSE"

MONEY DOES BRING HAPPINESS

SWEET SKIN - CERAMIC NETWORK - Limoges, FRANCE



ANONYMOUS INTERVENTION DURING THE CERAMIK NETWORK´S VERNISSAGE: E.N.A.D. Limoges.
my porcelain hand made SWEET SKINS were served during the lunch.

nature et chocolat
rolled enameled porcelain skin feet


CERAMIC NETWORK, the international forum for design and innovation in ceramics, started in 1996 and intends to become the unmissable gathering for professionals.

This event is organised by the Agence Régionale de Développement (ARD – Regional Development Agency) du Limousin, with the support of the state and local authorities, and in partnership with ANVAR and CRAFT.

A three-yearly event, CERAMIC NETWORK in 1996 brought together in Limousin 600 professionals from 10 countries and provided more than 550 business meetings, which generated commercial agreements and research programmes. The workshops enabled participants to exchange their experiences with internationally renowned manufacturers and designers.

The 1999 edition brought together the big names in ceramics: 670 manufacturers, scientists and designers from 17 countries. As during the first edition, the European Exchange for ceramic technology transfers and partnerships put 120 people in contact, representing 80 different structures (400 scheduled meetings and a hundred spontaneous ones conducted in real time).


-the Adrien Dubouché National Porcelain Museum,
-the Evêché Municipal Museum in Limoges, dedicated to enamel
-the National School of Decorative Art (ENAD) and Centre de Recherche sur les Arts du Feu et de la Terre (CRAFT – Research Centre for Fire and Earth Crafts).

MULTIPLICITY

SELLING human heart, human tongue and human skin during the CHRISTMAS period



HUMAN TONGUE / HUMAN SKIN


EN CATALÀ:

STICKERS from the serie human heart, human tongue, human skin



The french supermarket is called "Supermarché Stoc"
I only changed one letter: sToc > sHoc

" 305 " from the serie Bodies territories: limit notion concept


Many conflicts that have emerged and come up every day arise because of territorial problems, physical frontiers but also moral matters.

"3341-305" from the serie Bodies territories: limit notion concept

domingo 15 de abril de 2007

about me

eVe ARIZA ARMENGOL
Born in France 1973


Teaches arts and ceramics and works somewhere between Andorra and the world

art Work: http://eveariza.blogspot.com/


SELECTED EXHIBITIONS

2009 Street of Farts, ceramic kilns performance, ENFANGAT Festival Celrà, Girona, Spain

2009 Primera edición PREMIO DE CERÁMICA del M.A.R.M, Madrid, Spain


2009 ET POUR TOI C´EST QUOI L´ART ?, Les Abbatoirs, Musée d´Art Moderne et Contemporain de toulouse, France

2008 PETIT FORMAT GRAN OBRA II, Galeria Pilar Riberaygua, Andorra

2008 BBKL-LABOR, Kunstraum Engländerbau in Vaduz, Liechtenstein

2006 PROJET HORIZON, Cat´Art, Centre d´Art Contemporain, Sainte Colombe sur l´Hers, France

2006 PROJECTE HORTIZÓ, Sala d´exposicions de Govern, Andorra

2006 Festival Nightshot VISIONS NOCTURNES –PARADISECONSUMER-, Malves-en-Minervois, France

2005 HORITZÓ Centre d´Etudes Catalanes (Université Paris-Sorbonne Paris IV), Paris. France

2005 VIDEO SENSITIVE POSTCARDS, Antico Monastero Santa Chiara. Republica de San Marino

2005 TEEKENGENOOTSCHAP PICTURA, Dordrecht. Netherlands

2004 DE-EINDER art et nature, Cat´Art, Centre d´Art Contemporain, Sainte Colombe sur l´Hers, France

2004 Mostra d´Art Sergi Mas, Centre Cultural La Llacuna, Andorra

2003 AACE & AS´ART ART EN BOUT DE VILLE, Les Mars de l´Art Contemporain, Clermont-Ferrand, France

2003 ART EN DEPOT-BAGAGES POSÉS, Ateliers Outan-Bator, Orléans, France

2002 ZES KUNSTENAARS, ZES CONCEPTEN, Andorran Embassy, Brussels, Belgium

2003–2004 BIENNALE of Contemporary Art of Catalunya, Spain

2002 Homenatge a Pilar Riberaygua, Galeria Les Punxes, Barcelona

2002 BOSC art et nature, Cat´Art Centre d´Art Contemporain, Sainte Colombe sur l´Hers, France

2002 ART EN DEPOT -Bagages Posés- Château de Nedde, Vassivière en Limousin, France

2002 6 ARTISTA 6 KONZEPTU, Galeria Amarika, Vitoria, Spain

2001 6 ARTISTES 6 CONCEPTES, Sala d´exposicions de Govern, Andorra

1999 SANS EDULCORANT NI CONSERVATEURS, Musée Adrien Dubouché - E.N.A.D., Limoges, France

1998 PARCOURS CROISÉS, Maison de la Céramique, Centre d´Art International, Milhouse, France

1997 CULTURE, ART AND TOTALITARY THOUGHT , Centre Culturel CUZIN, Auch, France

1996 Centre cultural Lauredià, Sant Julià, Andorra




WORKSHOPS / PROJECTS

2009 DOMADORES DE FUEGO. Muel, Zaragoza, Spain.
" La torre de Blabel - bindu meets bla/bla meets bindu". wali hawes/eve ariza

2009 Enfangat, Celrà. Girona. Cat
With the technical col.laboration of Wali hawes.

2008 Et pour toi, c'est quoi l'art? Entrez sans frapper. Toulouse. Fr

2005-2009 Between Spaces project. Paradiseconsumer group. Andorra/ the world
“Passivcity” 2009
“Paradiseconsumer” 2005

2008 BBKL-LABOR, Kunstraum Engländerbau in Vaduz, Liechtenstein

2005 DE EINDER - OVER OPENHEID EN BEGRENZING The Biesbosch, Dordrecht, Netherlands

2005 OLTREPASSANDO L´ARTE DEI PAESI. Antico Monastero Santa Chiara. Repubblica di San Marino


2004 HORIZON –ESPACE OUVERT ET DELIMITATIONS Gorges de La Frau, Ste Colombe/Hers, France


2000-2001 ARTISTS STUDIOS of Andorra, Andorran Ministry of Culture

1998 I.S.A (Instituto Superior de Arte), La Havana, Cuba



PRIZES

2008 SCULPTURE prize, (...) o peça etnologica. (Cercle de les Arts i de les Lletres), Andorra


2000 COMIC prize, Dominique (Cercle de les Arts i de les Lletres), Andorra
With Javier Balmaseda

1999 First prize, Public Sculpture, Andorra








PUBLIC SCULPTURE

2008 Eduquem als nens i no castigarem als homes,
Intervenció espai arquitectural ludoscola, Ordino. Andorra

2003 L´arbre d´en Pau,
Intervenció espai exterior a Cal Pau de Segudet, Andorra

1999 Solcs de neu,
Escultura homenatge als primer s homes que varen fer possible l´obertura del Port d´Envalira.



PUBLISHED WORK



DOMADORES DE FUEGO 2009 XI XII JULIO MUEL
Ciudades de la Cerámica Euroregión Pirineos Mediterraneo

BBKL-LABOR 2008 Van Eck Verlag. Liechtenstein

THE BEST SURPRISE IS NO SURPRISE, Going beyond the countries art. 2006 Ed.E-flux. JRP|Ringier. U.S.A

PICTURA BLAD 4/05 Teekengenootschap Pictura Dordrecht, The Netherlands

PREMIS SERGI MAS 2003, 1ra Mostra d´arts plàstiques per a joves, Andorra.

DE EINDER OVER OPENHEID EN BEGRENZING Dordtse Biesbosch . The Netherlands

BOSC Cat´Art Centre d´Art Contemporain. France

QUE REBENTIN ELS ARTISTES/QU´ILS CRÈVENT LES ARTISTES Alex Tena, France

ART EN DÉPOT-BAGAGES POSÉES 2002 Lac&S/ Ministère Culture DRAC du Limousin, France

6 ARTISTES 6 CONCEPTES Ministry of Culture, Andorra

XIII BIENNAL, Mostra d´art contemporani català, Canals Galeria d´Art, Sant Cugat. Catalunya


DOMINIQUE Cercle de les Arts i de les lletres, 2000, Andorra

I MOSTRA D´ARTS PLÀSTIQUES PER A JOVES SERGI MAS Ministry of Culture and Youth, Andorra

Article published in art revue titled BON ART number 35, September 2002.Spain










Studio: : Avda Sant Antoni nº47. AD400 La Massana . Principalty of Andorra
Tel : ( +376 ) 36 16 88
centrifugeve@gmail.com

http://eveariza.blogspot.com